Khiva必看景点

It is paved and has a well. The door to the palace and the entrance are very narrow. It is easy to get lost in the labyrinth of corridors. Today it accommodates a permanent exhibition of the museum of Khiva. The khan's wives lived in the southern part of the harem, whereas his relatives on his mother's side lived in the less favourable parts of the harem. The courtyard is ornamented by 5 high Aiwans. Carved wooden columns on marble bases carry the ceiling which is decorated with paintings and the walls are masked with blue tiles. Even the righful wives of the khan lived like slaves. They weaved carpets, made embroideries and sewed. They could leaved the palace at rare occasions only and then they went in a car covered by felt and their companions with their white sticks removed everybody who came into their way. Ishrat Chauli or Mikhman Chauli means "courtyard of guests" and was the place where receptions were held. The throne room was in the first floor and the guests' rooms in the ground and in the first floor. The building is ornamented with a frieze of blue tiles with verses of the poet Agekhi. In the center of the courtyard are two brick foundations, about 20 cm high, for the khan's winter yurts. Ars Chauli. the courtyard of justice is similar to Ishrat Chauli, but its square base has twice its size. The towers at the corners and the aiwans are rather high. The Ars Chauli has tweo doors, the main entrance and the door of the condemned through which the prisoners sentenced to death went to their execution. According to the traditions of Khiva every nobleman, governour and also the khan himself had to devote at least 4 hours per day to the administration of justice. He had to deal with all kinds of cases from theft of chicken to capital crimes. The khan usually went to the court of justice after the prayer at noontime.

The three doors across from the throne decided your fate: the left door meant freedom, the center door meant imprisonment, and the right door meant death. Above the throne room is a lookout tower where you can capture a great view of entire Ark structure. Be sure to pay a visit to the jail, located just outside the entrance to the Ark, where you'll see gruesome paintings that depict the various ways the khans meted out punishment. Most of the buildings date from the 17th cent. The fortress covers an area of 130 x 90 m and was enclosed by a fortification wall 9 m high. Have a close look at the well preserved Summer Mosque. The glazed blue and white tiles are peculiar for the decoration used in Khiva. The ornaments in the form of stars and the floral and vegetable patterns clearly differ from those used in Buchara. The mihrab in the southern wall with quotations from the Quran is especially beautiful. Its tiles date from the 19th cent. In the corner on the left hand stood the minbar on top of which quotations from the Quran in Kuft script can still be seen. The tiles in the Reception Hall in green and white and with flower motives on a blue background were executed under Alla-Kuli Khan in the 19th cent. The Reception Hall is surrounded by a small courtyard with stone pavement which is separated from the other parts by a high wall. In the courtyard is a round elevation characterizing the place pf the khan's winter yurt. On the left of the Reception Room is an Aiwan with two beautiful carved wooden columns. Aiwan and Reception Hall are decorated with painted ceilings. Behind the Aiwan was the Throne Room with the khan's throne in a niche.

The people gave him the title "Pahlavan", meaning brave and handsome hero, as he defended the poor and is said to have had mystical powers. Pahlavan Mahmud is also revered in Persia and India. His grave became an important shrine for pilgrims and became the burial place of the Khans of Khiva. Tradition says that the first building was erected over Pahlavan Mahmud furrier's shop. The present building was erected in the 18th cent. It covers an area 100 x 50 m wide, on which the saint's grave, prayer rooms, a pilgrims' lodge, a summer and a winter mosque have been built. According to an inscription the building was erected by architect Abdullah Djin. It is considered as one of the most important buildings of Islamic Central Asia due to its interior totally covered with glazed tiles and due to its artfully facade. In the 19th cent. the mausoleum became a necopolis of the princes of the Kungrat dynasty. It is considered as the last great mausoleum building in Central Asia. The southern entrance is the oldest part of the present building. It has an inscription on the wooden door indicating the date 1701. The mausoleum has an oval turquoise dome with white ornaments on the lower edges. Within the mausoleum are the richly decorated sarcophagus of Khan Mohammed Rahim and two sarcophagi of black marble of the historian Khan Abu Al Gazi who died in 1663 and of Khan Anush who died in 1681. Beside the prayer room is the crypt with the grave of Pahlavan Mahmud. The walls are covered with ornaments all over, depicting interlacing stalks of flowers, leaves and zig-zag or crossing lines. The wooden door with ivory work, the wooden columns and the glazed tiles make Pahlawan Mahmud Mausoleum to the best museum of applied arts in Khiva.

It contains 212 ornately carved columns that support the roof, dating back to the 12th to 15th century. The wooden columns were removed from other buildings which have been destroyed. The columns are masterpieces of wood carving. The whole surface is covered by leaves, flowers and tendrils. If you watch cloisels you can see pomegranates blossoms and acanthus leaves. The columns are peculiar in form: they are spherical at their base, get a little bit narrower and end with a part similar to an oblong drinking glass. In some columns the base is a square marble or a round piece of wood only. Similar carved columns were not only used in palaces and mosques, but also in farmers' houses where they carry the roof of the verandah. It is reported that these wooden columns are the oldest in Central Asia. Tradition says that they come from the Great Mosque of Kat, the former capital of old Choresmia. Research has proved that 15 of the deta to the 10th to 14th cent. Be sure to bring some sort of light if you plan to climb the 81 steps up to the top of the Juma minaret, which you can access from inside. Even if you buy the all-access 10000 sum pass, you'll have to pay an extra fee if you want to enter this mosque.

o the caravanserai (a large building to house caravans); It is the best preserved gate in Khiva, its passage passage is 60 m long with deep niches on both sides. In the 17th and 18th cent. it was the prison of the khanate, the niches serving as cells. The prisoners had to solicit alms of the passers-by in order not to die of starvation. Slaves who escaped and were captured again were nailed with their ears to the gate. The Palwan Darwase was also called the "gate of the hangman": public executions took place in front of the gate. On the right hand side of Palwan Darwase near the walls of Itshan Kala wasthe place of the slave market. Bukhara and Khiva were famous for their slave trade. The nomadic tribes moving through the desert and earning their living by robbery were reliable suppliers of slaves. * South Gate (Dascht Darwase) is probably the least used, except by locals who live inside the Ichon-Qala, or for those staying at the Khiva Asia Hotel; * West Gate (Ata Darwase), which is the main exit and entry point for almost all of the visitors."

They brought silk, cotton, spices, leather, copper table-ware, linnen and melons from Turkestan to Russia. The caravans were made up of up to two thousand camels and bought cloth, sugar, iron tea kettles and rifles in Russia. The trade reached its apex around 1830. Khan Allakuli decided to build a new caravanseray and a new tim. Parts of the city walls had to be pulled down for the new caravanseray. Like in a medressah the rooms of the merchants are arranged around a square courtyard. Soon the caravanseray became too small and the tim, a new open market was built. It is one of the most beautiful buildings of the end of the khanat. It consisted of a long covered corridor with 14 domes in the vicinity of the ancient slave market.

He undertook moderate reforms, opened the first secular school and the first hospital and introduced mail and railways. Khan Asfendijar ruled from 1910 to 1920. He mistrusted everyone. He stayed in a mirror hall, observed all persons arriving through the mirrors and called the palace guards on the most trifling occasions. But to the greatest extent he feared his own vizier. Thus, he ordered that nobody was allowed to leave his house in order to pray for the health and the spiritual welfare of the khan. He called for Islam Khoja, kept him in his palace until dark and on his way home Islam Khoja was killed by bandits.

Technically, you aren't allow to climb to the top of this minaret, but guards have been known to give visitors "unofficial" tours of the interior structure, for a fee. Kalta Minor dates from the 19th cent. Apparently it has never been completed. It is 14 m in diameter at its base and 26 m high. According to the legend Amir Khan intended to build a minaret from the top of which he could see to Buchara, 400 km away. After his death in 1855 the construction works came to a halt. The varied pattern of coloured glazed tiles in white, blue, green and a brownish yellow form a perfect harmony.

It has a beautiful carved wooden door with floral and geometric ornaments. The cells are vaulted, have a fire place and are lighted by a window in or above the door.

The lecture rooms (dershane), the mosque and the library (kitab khana) are situated in the first floor. The courtyard ist surrounded by pupils' cells in two stories.

Ak Mosque meaning "white mosque". Beside the mosque is a small minaret with beautiful carved wooden doors.

Seid Allaudin's tomb is richly decorated with glazed tiles with floral motives in white against a dark or light blue background.

In 1726 the slaves killed him in the unfinished medressa.

According to the archaeologists the oldest parts of the city wall date from the 5th to 6th cent.AD

On the south side of the square is a tiny, but interesting museum dedicated to traditional music.

The Hungarian traveller Vambery reported that the medressa had 250 pupils.

in Central Asia.