Что посмотреть в Mandalay

In addition, while the design of the reconstruction was fairly faithful to the original, the materials used were not (metal was use instead of the original teak). The palace contains several pavilions and chambers. Tourists are required to enter from the East Gate. An almost kilometre walk connects the entry gate to the palace proper. Replicas of throne rooms and chairs and Madame Tussaud-style images of Kings Mingdon and Thibaw with their chief consorts are on display. At the west end is the Palace Museum where all palace memorabilia is on display including religious paraphernalia, court ritual implements, court dresses and uniforms, furniture, palanquins, and litters, as well as weaponry, all in typically intricate Myanmar design and execution. There are also photo exhibits. The surrounding area of the island is a military base, which creates a strange atmosphere. If you want to avoid the visit, you can see the palace from the summit of the Mandalay hill during your climb from the South entrances.

Women are not allowed to approach the statue, but men can go up and touch the Muni. The statue was brought from Rakhine State, southeast of Mandalay. Nearby the central hall, there is a hall displaying statues stolen from Rakhine state, which were in turn stolen through a string of robberies from Ang Kor Wat via Thailand. The figures may have belonged to Hindu mythological figures Shiva and Airavat, the elephant of Indra. You will see people rubbing the statues as they believes this cures of them of ailments, especially by touching the corresponding body part on the statue. Visit the site around 04:30-05:00 for the amazing ceremony of washing the Buddha's face, which occurs every day and is attended by hundreds of people.

It is the only major building from the original wooden royal palace to have survived the bombing of World War II, and thus is the only authentic part of the royal palace which can still be seen today. It was the bedroom in which King Mingdon spent the last of his days. After that, the structure was gifted to the monks, and became a monastery. The intricate craftwork on the teak pillars, ceilings, roofs and walls, is breathtaking. One can get lost in observing the various animals and mythical creatures, or the thousands of athletic, gracefully twisted and seductive poses and expressions of the dancers seen on the pillars.

The stilted thatched huts constitute the homes of many poor in the area, some of whom sell snacks along the bridge.

The structure consists of five rectangular terraces in a graduated form.

The nearby Sandamuni paya contains a similar set of structures