ما يجب مشاهدته في Edirne

Just next to it is the Justice Tower (Adalet Kasrı), a sturdy square tower and the sole completely intact remnant of former imperial palace of Ottomans here. Next to the Tower, a smaller bridge on the narrower branch of the river surrounded by some centuries-old ash trees will take you back to the “mainland”. Here at your right, about 100 metres away, is the monument to the soldiers fallen at the Siege of Edirne in 1913 (Monument to the Martyrs of Balkan War/Balkan Savaşı Şehitliği). The monument itself, which is a recent construction with an older one hidden behind the bushes nearby, is nothing very interesting, typical of many such Turkish monuments built to commemorate World War I and previous battles in, say, Gallipoli. However the site is actually mass grave of an estimated 30,000 soldiers, so appropriate respect should be shown. Further away from the river is the ruins of a number of buildings of the former palace scattered around the fields, which had the unfortunate service as an arsenal during the siege of 1913, and had been blown up in order not to fall in hands of Bulgarians, the opposite side of the battle. Although the place had lost the distinction of being a capital in 15th century, it was still the favourite summer retreat of Ottoman dynasty, featuring numerous hunting manors on the edges of the actual palace. Ruins are now undergoing a slow restoration (or perhaps reconstruction), with the imperial kitchen has returned to its pre-1913 appearance recently. An illustration in front of the gate of the palace building—the only part of the building that escaped the blast—may help you envisage what the palace looked like.

A grandiose piece of art by Mimar Sinan, the Ottoman architect of 16th century, Selimiye is usually considered the zenith of Ottoman architecture and has been listed as a World Heritage site by UNESCO in 2011. Sinan himself considered this building as his best work. The dome of the building, which hangs high over main hall, encloses a huge space which gives the place an expansive atmosphere, had the largest diameter (31.28 mt) of all domes in the world for several centuries. And its minarets (towers) are the second highest minarets (70.89 mt) in whole world, surpassed only by Qutb Minar (72.50 mt) in Delhi, India. The mosque has 999 windows in total, which according to its architect Sinan, symbolize the perfectness of God, through the imperfectness of the mosque he designed. The dome and interior walls are decorated with calligraphy and geometrical designs, most of which are painted in hues of pink and blue. If you have admired Blue Mosque (Sultanahmet Mosque) of Istanbul, you’ll sure adore this one, since Blue Mosque is quite a copy of Selimiye. The upside down tulips, which are some sort of symbol of Edirne have their origin in a tulip illustration engraved on a marble in the fountain right under the central dome of Selimiye. It is believed to symbolize the landlord of the tulip garden on which the mosque was built, who was said to be reluctant to give over his garden.

Along the side streets and Maarif itself line a number of elaborate wooden houses, the walls of which are with highly delicate handwork, though some are derelict. At one end of the street is the . As Edirne was one of the main destinations of Jewish settlement in the Ottoman Empire after the Spanish expulsion of 1492, the synagogue, built in 1907 after the great fire, is the largest in Turkey and all of the Balkans, and the third largest in Europe. Having lacked a congregation since the 1980s as more and more of the local Jews left for larger cities of the country and for Israel, it stayed in a heavily ruined state since then, until 2015 when it was restored with a colourful look inside out and re-opened with a service. In one of the side alleys of Kaleiçi lies a small stone church, used to be where the Catholic community of the city held masses, though a part of a local primary school (İstiklal İlköğretim Okulu) nowadays. Numerous small Ottoman mosques are also scattered around Kaleiçi and elsewhere in downtown.

A round and robust tower, not unlike Thessaloniki's White Tower except its colour, and next to it is the last visible section of city walls, now surrounded by a nicely landscaped park. It’s possible to enter the tower itself, but impossible to climb upstairs. It’s located in a back alley, so while you are near the Üç Şerefeli, look around on the top of buildings to see the flag on a tower made of red-brick if you can’t exactly locate it. The tower also served as a clock tower until 1953, when the upper part of the tower was demolished because of the danger of collapse.

Long undergoing restoration, interior of the mosque, which features a colourfully decorated central dome, smaller surrounding domes of varying sizes each featuring a different colour pattern, and very stately columns supporting them, has recently been re-opened to visits. The overall experience of this colourful mosque is perhaps best summarized as "joyful".

Instead of locking them into cells with shackles, which was widespread during that time, methods such as meditative music or flower gardens were tried in this institution. Today, many Ottoman miniatures from medical schoolbooks and elsewhere and models of patients are among the displayed.

While the place is slightly away from the downtown and is off the usual trail between the main sights, it occupies the highest hill in the city and offers a large overlooking view of the city and the forests surrounding the rivers behind.