What to See in Brussels

In its cultural programme it carries on the debate of 1958: What kind of future do we want for tomorrow? Our happiness depends on what? Its recent renovation in 2006 gave its original brightness back, and the new equipments guarantee its durability. Five of the nine spheres are open to the public (so they say, but not really true). One of them is housing a permanent exhibition dedicated to Expo 58 (just some small models of some countries pavilions). Another sphere is dedicated to temporary exhibitions with scientific themes (often closed when there is no exhibition). The upper sphere offers spectacular views of the city of Brussels. When the sky is clear, the view reaches till Antwerp. There is a "kids zone" sphere which staff will happily direct you to even though you can never go in, it is only open to touring schoolchildren, and there is nothing inside except places for kids to sleep. In truth there are only three spheres: the top (restaurant), middle (snack bar) and bottom; the only thing to see really is the view; rather expensive at €11. The restaurant, also situated at the top, is open every day till 11PM At night, the nine spheres are lit up with 2,970 lights that offer a very special show. To enrich your visit: audioguides in EN (but also in F, NL, ES, IT and RU) are available at the cash desk for €2. Visio-guides are also available (€2) for the deaf and hard of hearing people. In August 2010, a zip-line was available from the top of the tallest sphere (102m); the "Death Ride" (run by former members of the Belgian Special Services) is a separate €25, and offers a rather unique view of the insides of the Atomium and the surrounding city.

The actual state of the museum makes it some kind of "museum in the museum" Apart the new (or newish) sections about the Congo River and the colonial period (with some ambiguous statements about the Belgian role), the structure of the museum seems to have been "frozen" 50 years ago. Casing, labels (largely almost nonexistent or vanished), (dis)organization of the collection in homogenous topics, especially in the ethnographic section, reflect those of a museum conceived a century ago and never updated since. Labels, where available, are in Dutch and French only in the permanent exhibition. In fact, the museum is closed to mend these issues and will reopen after major renovations of buildings and exhibitions about 2017. The audio-guided farewell tour "Uncensored" (€7, including permanent exhibition access) temporary exhibition (largely embedded inside the permanent exhibition tour) digs deep in the history of the museum. In some ways, it is a pity that in the future we will get a more enjoyable and interesting museum, but we will soon loose this unique remainder of the old age of museums.

It is believed to have been inspired by a child who, while in a tree, found a special way to drive away invading troops. Another story goes that a father was missing his child and made a declaration to the city that when he found him he would build a statue of him, doing whatever it was that he was doing. It has also been said a witch turned him to stone for peeing on her property. Yet another story goes that Brussels was under siege and enemies had planted explosives in the city; a boy saw the lit fuse and urinated on it, preventing the explosives from blowing up thus saving the city. The most likely scenario is that it was the location of the market for urine, which was used for its ammonia content to tan leathers. None are definitively true. In 1747, Louis XV's soldiers stole the statue, upsetting many of the city's residents. Louis XV made it up to the city by giving the statue a medal of honor (so that he must be saluted when French soldiers pass by) and by giving him an outfit. He now gets dressed up on special occasions.

The collection shows off works, most of them Belgian, from the 14th to the 20th century, starting in the historical section, with Hans Memling's portraits from the late 15th century, which are marked by sharp lifelike details, works by Hiëronymus Bosch, and Lucas Cranach's Adam and Eve. You should particularly seek out the subsequent rooms featuring Pieter Brueghel, including his Adoration of the Magi. Don't miss his unusual Fall of the Rebel Angels, with grotesque faces and beasts. But don't fear, many of Brueghel's paintings, like those depicting Flemish village life, are of a less fiery nature. Later artists represented include Rubens, Van Dyck, Frans Hals, and Rembrandt. Next door, in a circular building connected to the main entrance, the modern art section has an emphasis on underground works - if only because the museum's eight floors are all below ground level. The collection includes works by van Gogh, Matisse, Dalí, Tanguy, Ernst, Chagall, Miró, and local boys Magritte, Delvaux, De Braekeleer and Permeke. Don't miss David's famous "Death of Marat."

An infrared headphone system allows each visitor to enjoy the sound and melodies played by the instruments presented. The restaurant on the roof is also famous because of its panoramic view over Brussles. You need around 3 or 4 hours to really enjoy the whole museum, make sure you have enough time! The ornate façade of the building was decorated as such to promote the work of local tradesman and to protest the loss of jobs due to automation.

The museum has three principal sections: Belgian military history (documents, uniforms and weaponry from the Middle Ages to the present day, including a most comprehensive collection of medieval arms and armor); the Armored Vehicle Hall with artillery, tanks etc. from the two World Wars; and the Air Section (Brussels Air Museum) with a collection of aircraft from World War I onwards. The Brussels Air Museum's high point is its collection of original aircraft from World War I.

The tour includes two small glasses of lambic and gueuze, and if you've never had a natural beer before, then you will be (pleasantly) surprised by the taste. An absolute must for beer lovers, save room in your luggage to take bottles back with you!

Despite heavy police presence, it still remains a fairly seedy area, not the kind of place where you'd want to walk alone at night.

The museum was founded in 1835 and was located in the Hallepoort/Porte de Hal, one of the last remaining medieval city gates of Brussels. The gate is still operated as a separate museum by the same museum foundation.

Have a "gaufre de Liège-Luikse wafel" here (Belgian waffle with caramelized sugar)—the best ones are available from the little shops off the northeast corner of the Grand Place-Grote Markt. It is a UNESCO World Heritage site.

A readers' library operates on the ground floor, where, for a low entrance fee, you can read many different comic books and buy fries.

Take Metro line 1 east, exit Schuman and walk east or exit Mérode and walk west.

The remaining building complex has been restored in the 1960s and serves now a community centre.

The architecture and decor may seem over the top to today's tastes, but there are some outstanding examples of Chinese export porcelain, and rotating exhibitions of Japanese artefacts from the Edo period (1600-1868).

It can be very busy on rainy Sundays and the queue is outside, so don't forget your umbrella.

The other parts of the museum are also interesting, as an exhibit of all animals that live in our houses and a collection of mammals.

It is located in the garden of Convent Van Maerlant (the library of the European Commission) Van Maerlant street, in the European Quarter of Brussels.

From the end station in Tervuren you can go to a nearby old train station that has been converted to a bar and small restaurant named Spoorloos (literally "without tracks").